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IMPERFECT INTERACTIONS
IMPERFECT INTERACTIONS
IMPERFECT INTERACTIONS
IMPERFECT INTERACTIONS
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2019
BERLIN, DE
BERLIN, DE
After the first two „Dimensions" and „Iterations" collections the third collection of Fuenf is titled „Interactions" and further explores fractals, natural forms, each part of which repeats the whole. In mathematics, a fractal is an abstract object used to describe and simulate naturally occurring objects. Artificially created fractals commonly exhibit similar patterns at increasingly small scales. If the replication is exactly the same at every scale, it is called a self-similar pattern. For certain time fractals have been mesmerizing mathematicians, graphic designers and digital artists with their hypnotic shapes and perfect proportions.
The research on fractals has, however, come to symbolize the dystopia of nowadays, when the digital is continuously turning into our primary natural environment.The collection proclaims the digital to be the new norm, without any fearmongering. It encourages to embrace diversity and the synthesis between the physical and digital realities.
The research on fractals has, however, come to symbolize the dystopia of nowadays, when the digital is continuously turning into our primary natural environment.The collection proclaims the digital to be the new norm, without any fearmongering. It encourages to embrace diversity and the synthesis between the physical and digital realities.
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2019
BERLIN, DE
BERLIN, DE
03
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2019
BERLIN, DE
BERLIN, DE
The clash between technology and nature relinquishes the place to fusion and interaction to develop further - that's why the third collection of Fuenf is called „Interactions". It shows integration between digital and organic, mathematics and nature and tries to find the right proportion of this synthesis.
This manifests itself in the choice of fabrics: natural fabrics are combined with technical materials, highlighting the possibility of co-existence between the organic and digital, nature and technology, the traditional and the modern. The idea of synthesis found its way into collection's designs too – a slightly oversized, mostly genderless clothes feature recurring geometric elements but with an organic touch at the same time. The forms and shapes of „Interactions" are 3dimentional forms which were developed through draping techniques. The first shapes were created with simple geometric forms, which were scaled in 3 different sizes, then manipulated and then draped on a dummy – it is an attempt to integrate a fractal self-similarity into patternmaking.
This manifests itself in the choice of fabrics: natural fabrics are combined with technical materials, highlighting the possibility of co-existence between the organic and digital, nature and technology, the traditional and the modern. The idea of synthesis found its way into collection's designs too – a slightly oversized, mostly genderless clothes feature recurring geometric elements but with an organic touch at the same time. The forms and shapes of „Interactions" are 3dimentional forms which were developed through draping techniques. The first shapes were created with simple geometric forms, which were scaled in 3 different sizes, then manipulated and then draped on a dummy – it is an attempt to integrate a fractal self-similarity into patternmaking.
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2019
BERLIN, DE
BERLIN, DE
03
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2019
BERLIN, DE
BERLIN, DE
The geometric shape points to technology, while the draped organic form is soft and supports the natural aspect of the collection.
Most of us feel the clash between technologies and nature, the new and the old, the future and the past. We are slowly getting tired of social media networks and trying to find some beauty in imperfections: we are not machines and we have the right for mistakes. Intuition and honesty start to play a bigger role while the rational and systematic way of thinking is getting less prevalent. More and more people start to ask themselves: what will be next and what is the direction we are going to? Is it really the right one?
The collection „Interactions" sees our urban reality as a dystopia, but this time the concept furthers it, trying to find a shimmer of hope in these dystopian motives, giving them a romantic and optimistic touch. It prefers to see the society of the future digitalized and open and points to the potential in the symbiosis between nature and technology.
Most of us feel the clash between technologies and nature, the new and the old, the future and the past. We are slowly getting tired of social media networks and trying to find some beauty in imperfections: we are not machines and we have the right for mistakes. Intuition and honesty start to play a bigger role while the rational and systematic way of thinking is getting less prevalent. More and more people start to ask themselves: what will be next and what is the direction we are going to? Is it really the right one?
The collection „Interactions" sees our urban reality as a dystopia, but this time the concept furthers it, trying to find a shimmer of hope in these dystopian motives, giving them a romantic and optimistic touch. It prefers to see the society of the future digitalized and open and points to the potential in the symbiosis between nature and technology.
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2019
BERLIN, DE
BERLIN, DE
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2019
BERLIN, DE
BERLIN, DE
03
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Book design is the art of incorporating the content, style, format, design, and sequence of the various components of a book into a coherent whole. In the words of Jan Tschichold, "methods and rules upon which it is impossible to improve, have been developed over centuries. To produce perfect books, these rules have to be brought back to life and applied."
Front matter, or preliminaries, is the first section of a book and is usually the smallest section in terms of the number of pages. Each page is counted, but no folio or page number is expressed or printed, on either display pages or blank pages.
Front matter, or preliminaries, is the first section of a book and is usually the smallest section in terms of the number of pages. Each page is counted, but no folio or page number is expressed or printed, on either display pages or blank pages.